On the Creation of Found Poetry
In a dismal pile are found
stray words from many sources
thrown in a blender, tortured with forks
and aged six years in wooden casks
then inscribed by persian slave
calligraphers upon the floor
(c) Nissa Annakindt
Another day, another sijo--- this one from my book 'Opium Cactus'. The topic is a totally different form of poetry--- found poetry. In the simplest form of found poetry you simply take someone else's prose words and arrange them like a poem. There was one alleged poet who came out with a whole book of 'found poems' from the words of a government spokesman he didn't care for. This type of found poetry raises for me an issue--- is it really my poem if Bill Clinton composed the words and I just arranged them to spite him?
But there is also found poetry where the poet has the work of not only finding the words/phrases but putting them together from different sources, working with them to express the poet's vision. I find this kind of found poetry very satisfying. I also use the method of finding the words/phrases as if for a found poem, but using about an equal amount of words of my own to create the final effect.
As to why I used one poem form--- the sijo--- to describe another--- the found poem--- I'm just weird that way.
Poetic prompt: write a poem about a poetic form that you like--- or one that you hate.
A online poetry magazine.
For poets who don't have a MFA from an elite university, aren't beloved of the progressive movement and NPR, and who don't want to write poetry that rants the standard socialist rants....
And for readers that want vivid words and explosive images but maybe don't care for the worldview of some of today's poets...
Magdalena Lamont is here for you.
Published semi-occasionally.
Edited by Nissa Annakindt, poet, Aspie & cat person.
Saturday, February 4, 2012
Poem: On the Creation of Found Poetry
Labels:
Asian poetic forms,
found poetry,
opium cactus,
sijo
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment